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Dr Manuela Antoniu



Dr Manuela Antoniu's research interests lie at the intersections between fine art practice and architecture.

EDUCATION

  • PhD (histories and theories of architecture) – Architectural Association, London. External examiners: Professor Giorgio Agamben, Venice; Professor Olivier Richon, RCA.
  • Master of Architecture (history and theory) – McGill University, Montreal, Canada
  • Bachelor of Architecture (professional) – Carleton University, Ottawa, Canada

ART SCHOOL TEACHING

  • City & Guilds of London Art School – academic years 1997-98, 1999-2000
  • Camberwell College of Arts (University of the Arts London) – academic year 2008-09

SHOWS

Group

  • Bayard Ewing Gallery, Rhode Island School of Design, Providence RI, USA 1993 (with M. Williams)
  • Gallery 201, Kent OH, USA 1993 (with M. Williams)
  • Magale Gallery, Shreveport LA, USA 1992 (with F. Fantauzzi, M. Williams, J. Wright)
  • in situ architectural installation, Ohio State University, Columbus OH, USA 1992 (with M. Williams)

Solo

  • in situ architectural installation as part of Desiring Practices, London 1995
  • Michael Coote Gallery, Ottawa, Canada 1991

CONFERENCES

  • Reconciling Poetics and Ethics in Architecture, joint conference McGill University Graduate School of Architecture and Canadian Centre for Architecture (CCA), Montreal, Canada 2007
  • 5th Annual Conference on Arts and Humanities, Honolulu, Hawaii, USA 2007
  • Redefining Art, Goldsmiths College, London 1997

SEMINARS AND SYMPOSIA

  • SCIRIA research group / OpenMind lecture series, MA digital arts, Camberwell College of Arts, 2009
  • Architectural Cosmopoiesis, MA seminar / lecture series, Werner Oechslin private library (architect: Mario Botta), Einsiedeln, Switzerland 2008
  • Re-cycled Buildings: Architecture and ‘The New’, public symposium to debate the conversion of historic Poltimore House (Exeter) into the proposed Centre for the Arts in the Natural World, Arnolfini Gallery, Bristol 2000

PUBLICATIONS

  • Drawing without Drawing in Architectural Theory Review special issue on drawing (Routledge, December 2009 – upcoming)
  • “Ut pictura politeia” in EASTinternational 2009 exhibition catalogue published by Art and Language, ed. Lynda Morris (Norwich: Breckland Print, 2009): pp. 80-81 ISBN 1 872482 90 2
  • Fugitives in Sight: Section and Horizon in Andrea Vesalius’s De humani corporis fabrica in Chora: Intervals in the Philosophy of Architecture, vol. 5, eds. A. Pérez-Gómez, S. Parcell (Montreal & Kingston: McGill – Queen’s University Press, 2007): pp. 1-20 plus insert (editors’ erratum page) ISBN 978-0-7735-3262-5
  • Performing Buildings in Proceedings of the 5th International Conference on Arts and Humanities, 2007 ISSN 1541-5899
  • The Walled-up Bride: an Architecture of Eternal Return in Architecture and Feminism. Yale Publications on Architecture, eds. D. Coleman, E. Danze, C. Henderson (Princeton, NJ: Princeton Architectural Press, 1997): pp. 109-129 ISBN 1-56898-043-4
  • 30 Shepherdess Walk installation proposal in Desiring Practices, eds. D. McCorquodale, K. Ruedi, S. Wigglesworth (London: Black Dog Publishing, 1995): unnumbered ISBN 0 9521773 7 4
  • acknowledged in artists’ monographs: • Angela Bartram – Five Years Middlesex University Research Funding for Visual Culture, British Council, 2007 • Michal Heiman – Attacks on Linking exhibition catalogue, Tel Aviv Museum of Art, 2008 ISBN 978-965-7161-83-8

 

Manuela Antoniu