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Kate Palmer



I aim to bridge the gap between the private model of mourning and the inter-subjective, public dimension - as in the work ‘Exquisite Pain’ by Sophie Calle or as the psychoanalyst Ginette Raimbault observed ‘What no one can understand about my pain, someone can express in such a way that I can recognize myself in what I cannot share.’

Recently my work has dealt with issues of attachment and loss in the series of works on paper ’Now that I can no longer touch you’, the series of paintings ‘a split in the grain’ and the text piece DEATHTALK.
In a new series of paintings - the result of three years intense involvement in drawing and a journey back to a place from my childhood I thought lost to me -
the erasure of marks – and the gaps between - become physical presences – what I cannot articulate becomes the place of potential, painful, poetic and dynamic.
As Darian Leader says in his book the New Black ‘we have to go outside ourselves to get back inside.’ 
 

Education

1989-1991 Royal College of Art MA Fine Art Painting
1986-1989 St. Martins/Central School of Art BA Fine Art Painting
1985-1986 Oxford Brooks University Foundation Course in Art
RESIDENCIES
1999-2001 Fellow Commoner in the Creative Arts, Artist in Residence, Trinity College Cambridge
1992 Artist in Residence HMP Grendon – a radical therapy based prison for long-term offenders

 

Selected Exhibitions

one person
2009 (pending) one person Broadbent, London
2006 ‘A split in the grain’ Broadbent, London
2004 ‘Everything Happens’ Broadbent, London
2001 ‘Against the Skin’ Broadbent, London
 mixed
2006 ‘Obsession’ Sartorial Contemporary Art, London
2006 ‘The Irresistible Force’ Broadbent, London
2005 ‘faith’ Transition Gallery, London
2005 Touring to CAS Gallery, Osaka, Japan

 

Awards and Publications

2006 “Recherches en Esthetique” La Rencontre, journal published in Paris, France,
essay by Jean Khalfa
1997 Oppenheim-John Downes memorial Trust Award
1991 burston Award, Royal College of Art