Wim believes that every art form relates to each other on certain levels. This may be seen in the rhythm and harmony to be found in the visual arts, music, and literature. Wim's approach is based on haptic discoveries and chemical reactions, mainly based on trial and errors. In the catalogue for Albert Irvin's Gimpel Fils show "Urban journey" mention is made of "the journey of a line across a canvas, and the excitement that he felt starting that journey not knowing where it would end up." Some people may say ‘never put words into abstraction’, but some of Wim's paintings have a sense of location and locality through a belief in abstraction as a medium to express sense of place as well as psychological landscapes. Throughout the project the work has been playing with the subject of representational and abstraction. In Wim's final project he wants his work to take an extra step by intensively focusing on the boundaries of abstraction and figuration. organic shapes of bleach destroying the property of the ink allows it to take the shape of the temple. The temple itself has a double meaning to it: there's no nationalistic icon in it - it can be read as just a series of shapes, cones floating in water or grass.